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Noir

Last Christmas

Noir, also identified as the King of All Darkness, is Azura’s brother and the father of their daughter. When Azura is consumed by anger over losing Malphas, Noir meets her fury with a mixture of mockery, self-preservation, and strategic curiosity. His most consequential contribution is not a threat but a question: what could have made one of their fiercest soldiers defect?

Identity and Entrance

Noir enters while Azura paces after blasting a demon messenger into dust. He notices the remains on the floor and needles her about killing messengers, immediately establishing a voice that is irreverent even in a tense moment. Azura has no patience for him, but their exchange suggests familiarity: she tells him to stop talking or find a demon to flay, and he answers by boasting that he enjoys watching demons beg for their lives.

His humor does not make him oblivious to the crisis. When Azura says they have lost Malphas, Noir asks where Malphas was last placed. The question is practical, though his lightly mocking manner keeps it from sounding like solemn concern. He is neither shown mourning the missing soldier nor dismissing the loss; instead, he tests the situation and the assumptions Azura is making about it.

Temperament and Family

Noir’s teasing is persistent. He calls himself hilarious when Azura finds him pompous and galling, and when she demands that he bring her Malphas’s heart or head, he responds by pointing out that Malphas is a son of Verlyn. The exchange makes his wit a form of resistance to Azura’s immediate impulse: rather than accept her demand as a plan, he introduces a consequence she has not considered.

That consequence is framed through family. Noir observes that Verlyn may care about his children about as much as Noir and Azura care about their own daughter, but argues that either of them would demand vengeance if one of their siblings attacked the girl. The comparison is pointed because it appeals to a bond Azura cannot easily wave away. Noir does not claim that Verlyn is certainly protective; he asks her to consider the danger of treating Malphas’s death as consequence-free.

When Azura asks why he is being reasonable, Noir says that self-preservation is always his priority. The remark is both comic and revealing: beneath his swagger, he presents caution as a personal rule. In this scene, that rule makes him the counterweight to Azura’s anger. He does not deny her fury, but he redirects it toward a question that could explain the defection before she acts on her demand for violence.

Malphas’s Defection

Noir’s central insight begins with the unusual sequence of Malphas’s actions. He describes a vicious soldier who stopped fighting and then appeared years later on the enemies’ side. Azura first calls the choice stupid; Noir rejects that explanation and proposes love. His sneer at the word shows his contempt for the possibility, but the hypothesis is still analytically important: Malphas’s change of allegiance may have been driven by attachment rather than simple foolishness.

The exchange changes the focus from locating or killing Malphas to identifying what altered his loyalties. Noir asks why he defected, and when Azura recognizes that she had not considered the question, Noir presses the implication: they need to discover who tamed their favored fighter. Azura’s response is to destroy that person. Noir agrees, so his curiosity does not amount to mercy toward the unknown influence; it supplies a new target for the same hostile intent.

Narrative Role and Limits

In this encounter, Noir functions as Azura’s sardonic interlocutor and as the first voice to turn Malphas’s disappearance into a problem of motive. His jokes sharpen the contrast between her bodily, immediate anger and his effort to reason from the soldier’s past and changed allegiance. The scene gives him no completed investigation and does not show him carrying out Azura’s order to bring back Malphas’s heart or head. What it establishes is the question that now governs their response: if Malphas changed sides because of love, who was he willing to change for?

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